Tuesday, December 7, 2010

Colors of Narcissism

He wrote in his little booklet;

"I do not remember exactly when I was offered a stone bowl filled with poison.

Several times I stopped (it was the story will take place on this ).... Twice caught in the act of stealing clothes say Demoiselles d'Avignon in France and once in India, Vishnu is the name that I did. Very often, I was declared as the "enfant terrible" and incorrigible. "

Many times at the bar, it is placed oddly alarming. Speak

When you are seduced by the goddess of life, reveals the power of talking to me about all her nudity, vulgarity, rude and inconsiderate.

My job is to collect recruitment life measures expression. The context of efforts can be of any shape and could be anything. "

Narcissus was the first to fall in love with himself after that mirrors the image reflected on the water surface, I am the third to have been trapped by the different levels of a single table, while dressing36 calligraphic paintings are designed around me! When the artist who created all things that would in any case, this second line!

There was a time painting and wallpaper used in the context of other across the room or the living room, now by artists such as Malik Ejaz, you have the freedom gained from the interior all in accordance with the concepts and dreamy artistic, including the popular demand and the power of the developed instinctiveAesthetics.

An exhibition of furniture and paintings on the art trade Nairang Malik took a lot of thinking and the use of internal conceptual art all together, as the glass shelves, curved shelves, you can choose from a variety of visually expand the field and made conceptual device.

As founder and director of the Department of Interior Design at the NCA, Malik has taken this responsibility will be practical and workable solutions to long-to meet all academic requirements. The tabletop glass displays the inscriptions of Ghalib, Faiz and Keats, on the surface, while on the other hand, put Malik shows a series of images designed calligraphic nervous that they were thirsty six in number, organize Bismilla Bismilla 1 to 36 surroundings, bright colors, intricate but simple linear texture and vibrant quality could have occurred because of inadvertent crossing and figurationOverlap the straight and curved lines and areas with scenic serenity to misuse of pure colors and crisp. The simple reason for this effort could be traced, as are Malik says

"I can not think of this world without color, what could be a great world around us in popular colors or no color."

As for these 36 paintings by the artist drew almost 1,400 drawings, which provided him the opportunity to choose the best. A catalog wasLook through the effort in conjunction with the drawings, which develops, finally, the show's final view of paintings and exciting display of furniture.

Once you have a drawer, while in several vanity as a "narcissist" would be the Bell Tolls would be at the same time as the entire environment visually Bismilla marbles!

Viewed critically, the majority of Malik's paintings look great inspiration of an architect and designerthat most of the frames were displaying the overwhelmed quality of design rather than painting. The canvases could not be categorized as abstract expression neither they could be termed as expressionistic, though calligraphy prevailed through and across the visual and actual frames simultaneously, the style of pure static calligraphy was also absent but what the artist had succeeded to attain was the quality of a well-designed and synchronized assortment of casings, displayed along with other objects of the exhibition.

A frame under the title of 'BISMILLA 10' was a striking piece with open composition of form, strikingly appealing division by solid yet subtle line towards the left and curvilinear shapes assimilated to evoke an impact of solid formation. Red and Yellow in pure and Straw-brown tinges had enriched the visual impact collectively.

On the other hand, a closed composition with lines creeping diagonally suggested the hair-lock of a female face while coiling lines impacted the facial contours. In this frame, clear outlines of eyes, painted in deliberate ignorance showed the conception of an idea in personal and individual or rather indivisible manner.

One of the sketches, which were put in compiled form at the venue in connection with the true understanding of this exhibition, revealed that during his voyage of numerous shapes, Malik convoluted the human figures from womb fetus to a grown up, though unintentionally but definitely due to the collective psyche and the conscious extended towards past, over millions of years in terms of life and sufferings.

Moreover, Malik's efforts got best in frame No 20; where the articulacy seemed congenial with creativity as the irresistible design element absorbed in true compositional requirements rather than 'fashioned requirements' whereas texture, space, line quality together with naturally produced lights and darks, were giving an impression of perfect harmonization whereas the art had played more effective role as a replacement for of the artist, for a change in fact!

Collectively, Maliks compositions were dominated by design, overlapping gay colors; merging in such a way that one could trace sfumato technique at a less significant level, but concurrently, he had also used the linear quality by varying it as per requirement and enriched the total impact by cross hatching, where needed.

One could find the academic manipulations of an architect and a designer who looked as if breathing sharply behind the malleable intuitions of a painter.

The collection that was displayed was exceptional in many ways but chiefly for, who's looking to have his or her home 'interiored', for the reason that thought provoking and poetic table tops, nicely poised chairs and sculpturesque shelves would capture your gaze when you would be ensnared by the premeditated calligraphic designs framed to exploit the viewer at a maximum level.

But the 'Vishnu', the 'thief who stole clothes of demoiselles d' Avignon', and the 'enfant terrible' wants us all to look and feel the way he likes, or has seen what ever is there in mother earth's lap, since he has all the colors and titles pasted on his own forehead, as suggested by his own statement!...A NARCISSIST!

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